In these days of war and disaster and political infighting, it can be easy to lose perspective. The 24-hour news media permeates everything with an ever-thickening layer of gloom and scandal.
So in these troubled times, it is up to us to see that society does not lose sight of what really matters.
That's right, I'm talking about 1980's pop-rock.
So, in the interests of advancing the public debate, I have decided to compile a list of five songs that, to me, truly embody the 1980s. It is not that these are the
best songs of the 80's per se, but rather that they
represent the way I look at that decade.
So, on with the list, in no particular order...
Walk Like An Egyptian (The Bangles, 1986),
(Video)
What the hell ever happened to songs that aren't about
anything except some silly new "dance"? I think it must have been around the time that those glow-light sticks came into vogue, because suddenly you were supposed to look "cool" when you danced, and so bouncing around with your arms awkwardly trying to resemble an Egyptian hieroglyph suddenly gets you laughed at in the bad way instead of the good way.
Now I'm all for songs that make a powerful statement, using meaningful or poetic lyrics to make you think, or at least, to really make you
feel something. But still, I think there's still room for songs that make you
feel like dancing around with silly arm movements and a big goofy grin on your face.
See, it seems like
fun was still allowed in the 80's. Now I think fun is
making a bit of comeback recently, but for so long during the 90's and the early 00's it seemed like all we got was anger, angst or... um, I can't think of another a-word, but how about pretentious posturing?
But in the 80's it was still acceptable to have a big, non-drug-induced smile on your face while you were dancing, or even just while listening. And it is for sheer
fun, that I nominate "Walk Like An Egyptian".
Oh whey oh!
Stand (REM, 1988), (Video)
REM's "Green" Album was the first album I ever bought. I was ten years old at the time, and I'd heard "Stand" on the radio. It was loads of fun and it felt... good. It felt right. Yeah! Stand in the place where you live! Think about direction! Singing along felt like being a part of something.
Only as I revisited the song years later did I realize how incredibly trite and stupid it is.
But here's the thing, it was written that way
on purpose! Watch the
video for crying out loud! There is no way in hell that was meant to be taken seriously, not even in the "fun" 80s. The band's guitarist came up with a pleasantly stupid, but catchy guitar riff, and challenged singer and songwriter, Michael Stipe, to come up with lyrics to match. Stipe, a notably political fellow, basically set out to write the stupidest, emptiest, shallowest lyrics he could think of.
So given that the whole song was kind of a joke, consider that "Stand" was R.E.M.'s first big hit, and it was largely the result of that song alone that they were launched to such prominence. The song was just like grilled-cheese made with Wonder-Bread and good old American cheese food product. Oh, and don't forget the margarine! So was it really any surprise that it went over like gangbusters? Clearly, I was not alone in failing to grasp the irony. Of course, I was only ten years old at the time. (I also really enjoyed another song on that album, "Orange Crush", because I also enjoyed
Orange Crush.)
For a creative-writing class I took in college, I once wrote a satirical piece where all of the republicans in congress had gotten together to decide how best to
deliberately destroy the environment. It was not so much an endorsement of any particular environmental policy, but a jab at the spurious and non-productive style of debate wherein it is assumed that the other side does not merely disagree with you, but is consciously setting out to do harm.
I got an "A" on the story, but at the bottom, the teacher wrote "Pretty scary."
I went up to her and asked. "It was supposed to be satire, did that not come through?"
"Oh, it did," she said. "It's just that it's kind of true."
So, it is in that vein, namely, satire being misunderstood as sincerity by the very people being satirized, that I say "Stand" represents the shallow, me-first, sanitized worldview held by many people (myself included) during the 1980s.
Still kinda fun to sing along to though...
Rock the Casbah (The Clash, 1982)
This song is included for similar, but subtly different reasons as "Stand". It wasn't satire really, but "Rock the Casbah" was, no question, one of The Clash's
least politically-conscious songs. At the base of it, it's
kinda about music censorship, but not in any really meaningful or coherent way. Check out this brief synopsis from Songfacts.com:
Joe Strummer wrote the lyrics about an Arab ruler (the Shereef) who hates music, but is defied by the citizens and even his own air force. Strummer was inspired by a news report of Iranians who were flogged for owning Disco albums.
Wow... deep stuff, eh? It's rebellious on approximately the same level as "Footloose."
But the thing is, The Clash were an extremely idealistic, outspoken, politically conscious band. And yet, this song, one of their "just for fun" songs, was one of only two Clash songs to even crack the US Top 40. In fact, when this song, out of all their songs, became a success, it eventually led to the breakup of the band, because they no longer felt like they had any credibility singing about rebellion and politics when they had made so much money singing about "that crazy casbah sound"!
American people have a tendency (we had it then, we have it now, we will have it for years to come) to overwhelmingly embrace fun, but shallow, things and to fundamentally reject anything with substance or meaning to it. And that tendency broke up The Clash, "
The Only Band that Matters."
I hope you're happy.
One
could make an argument that "Rock the Casbah" is, strictly from a musical perspective, one of their best songs, but that could potentially weaken my moral indignation.
Fact: "Rock the Casbah" was used as a rallying cry for US Troops during the first Gulf War.
Tainted Love (Soft Sell, 1981)
Why "Tainted Love"? Well, it's a kick-ass song, that's why! Want to make something of it?
It's not the subject matter or the societal context that lead me to nominate this one, but rather it's the music itself.
"Tainted Love" makes very heavy use of synthesizers and electronic noises to create a sound that just hadn't really been ever heard before, but was on the verge of exploding all over the place. "Tainted Love" is practically
THE definitive 80's song, from a musical perspective. Memorable, singable lyrics, an unusual sound, a dancable, clappable beat. Any dance club with an 80s night had better plan on playing this one at least once a week for perpetuity.
Just to delve into societal context briefly, this song came out just as the AIDS epidemic was starting to get noticed. Though it was not written
about AIDS, the parrallels are obvious.
Then in 1993, the song briefly regained its place in the forefront of American consciousness in 1993 with
this Levis commercial. It's odd, because though I remember loving it at the time, the commercial now seems far more dated than the song itself.
Come On Eileen, (Partial Video)
Do I even have to explain this one?
Like "Tainted Love", I've included it primarily for how it musically embodies everything we mean when we talk about "80's music". Unusual instrumentation. Bouncy beat. Lyrics about awkward lust. And of course, what may be the single best-ever example of total nonsense words sung as though they are legitimate lyrics.
I challenge you to listen to this song and
not sing along to the last "Too-ra-Loo-ra, Too-ra-Loo-rye-aye!"
If you can do it, you have no music in your soul.
And that makes five. Whew! That was a lot of work, but a lot of fun just the same.
So, what do you all think? Am I on the mark or way off base? Did I forget some infinitely superior example or just leave out your favorite? Comment, damn you!
.