Show 59 is up with the long overdue completion of our Oscar talk from way back.
, or listen right here on the pickle player.
More in-depth discussion of some Oscar nominees.
Mike and his BLEEP-ing cell phone.
Brokeback Mountain - All jokes aside, Brokeback Mountain is a REALLY powerful film. It can really change how you feel about some things, even if you are already on its side going in.
"Hey this movie is directed pretty well... Duh! It's Ang Lee!"
Calling it simply a "Gay Cowboy" movie does the film a disservice, marginalizes it. It's an attempt to draw a little border around it so you can leave it where it is and ignore it.
Even more emotionally engaging than we expected, even though we went in with high expectations. Really conveys the emotional pain these characters feel.
Also shows how harmful discrimination can be, not just to the person who is actively discriminated against, but also to everyone around them.
A little surprised that it was set so recently, (1960s-80s)
The one sex scene in the film is unsettling, uncomfortable. It's almost violent.
The differences and the similarities between the two lead characters.
If the scene had been between a man and a woman, our response would be different.
Mike is reminded of a scene in Unfaithful.
In BBM, the sex scene doesn't even contain nudity, but it's the one scene that is explicit, and that is a very deliberate choice.
The scene that could win Heath Ledger the Oscar: Waiting for Jack after receiving the first postcard.
Loved Heath Ledger in A Knight's Tale, but this is a spectacular performance in a very different movie.
His speech patterns are unusual, but feel genuine.
The film contains tragedy upon tragedy, but they never feel contrived.
The scene where Enis visit's Jack's parents was amazing.
I saw Brokeback Mountain and Final Destination 3 as a double feature.
Final Destination 3 is a pretty good movie, for what it's trying to do. Somewhere between the first and the second in quality. The direction is not quite as coherent as the second film, but the real reason to go to the Final Destination films is the deaths, and on that level, it delivers. Plays a little bit fast and loose with the "rules", but then, the rules were never all that precisely defined to begin with.
Mike's double-feature was Transamerica and Walk the Line.
Walk the Line
Can't help comparisons to Ray. We agree that it's better than Ray, but I couldn't escape the feeling that I'd seen this story before. I know it's true, but it's almost the cliche biopic plot by now.
Mike didn't know as much as he thought he did about Johnny Cash going in, so in many ways it was a sort of revelation.
I thought Ray was good, but the dream sequence at the end was AWFUL! Ridiculously bad.
Mike went into the film very uninterested, but it turned him around.
Mike now says he "hated" Ray, though I point out that, at the time, he wasn't that extreme. But we agree that it was somewhat overrated.
Mike felt like he learned a lot about Johnny Cash in the film.
An awesome scene early on, where his first record producer says "I don't believe you."
Cash used his songs to convey an emotion even if the lyrics were never literally true.
Mike respects Johnny Cash a lot more now than before.
Johnny Cash's daughters have complained that the film's treatment of his first wife was unfair, though that will almost always happen with any biopic.
Surprise to discover that Johnny Cash's version of Hurt is actually a cover of a Nine-Inch-Nails song, not the other way around.
Movie's use of music was very effective. More so than in Ray. It's about someone for whom music was really the true passion of their life.
Robert Patrick was very good as the father, and especially near the end, as much as you want to hate him for some of the things he has said, he's actually right.
Some of the foreshadowing early on was a little forced.
Joaquin Phoenix was excellent. He "conveys" Johnny Cash more than "mimicks" him.
Now outdated (But still accurate) news.
Rumor that Gary Oldman would not return as Sirius Black has been debunked.
David Thewlis will be back as Lupin also.
Contains Adult Language! An entertaining interview with George Clooney. -- He doesn't Michael Moore this $#!T.
My take on Michael Moore -- Though I am sometimes sympathetic with his intentions, I don't like his tactics.
He's not so uptight about his politics that he feels he needs to defend anyone who shares them, regardless of his politics.
Mike's Razzies Update - Deuce Bigalo: European Gigolo and Alone in the Dark are so bad, that they actually leave you a worse person having watched them.